Non-Photorealistic Computer Graphics Library

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Found 10 item(s) authored by "Victoria Interrante" .

Proceedings Conveying 3D Shape with Texture: Recent Advances and Experimental Findings
Victoria Interrante, Sunghee Kim, Haleh Hagh-Shenas.
Proc. SPIE, Human Vision and Electronic Imaging VII, Bernice E. Rogowitz, Thrasyvoulos N. Pappas, Vol. 4662, pp. 197--206, May, 2002. [BibTeX]

PhD Thesis Illustrating Transparency: communicating the 3D shape of layered transparent surfaces via texture
Victoria Interrante.
University of North Carolina, Chapel Hill, 1996. [BibTeX]

Proceedings Illustrative Rendering Techniques for Visualization: Future of Visualization or Just Another Technique?
Dirk Bartz, Hans Hagen, Victoria Interrante, Kwan-Liu Ma, Bernhard Preim.
Proceedings of the IEEE Visualization 2005 October 23-28, Minneapolis, MN, USA (VIS'05), pp. 715--718, Los Alamitos, CA, USA, IEEE Computer Society, 2005. [BibTeX]

Proceedings Line Direction Matters: An Argument For The Use Of Principal Directions In 3D Line Drawings
Ahna Girshick, Victoria Interrante, Steven Haker, Todd Lemoine.
1st International Symposium on Non-Photorealistic Animation and Rendering (NPAR'00), pp. 43--52, Annecy, France, June 05 - 07, 2000. [BibTeX]

In Collection Perceptual and Artistic Principles for Effective Computer Depiction

Author(s): Maneesh Agrawala, Frédo Durand, Bruce Gooch, Victoria Interrante, Victor Ostromoukhov, Denis Zorin.
In Collection: SIGGRAPH 2002, ACM Press, Course #13, San Antonio, Texas, 2002.
[BibTeX] Find this paper on Google

Abstract:
This course presents connections between human visual perception and the art of picture production. Findings from perceptual and cognitive sciences are used to explore pictorial techniques used by artists as they address the challenges raised by the depiction of three-dimensional scenes on a flat media. The course introduces perceptual explanations for a variety of artistic styles. Finally, we present mechanisms that can make an image more effective, and demonstrate the adaptation of these mechanisms to computer graphics. The course is intended for both artists and scientists. Although it offers some practical insights, it is intended more as an in-breadth overview.


Proceedings Pointillist and Glyph-Based Visualization of Nanoparticles in Formation
Patrick Coleman Saunders, Victoria Interrante, S.C. Garrick.
Eurographics - IEEE VGTC Symposium on Visualization, pp. 169--176, 2005. [BibTeX]

Proceedings Real-time Principal Direction Line Drawings of Arbitrary 3D Surfaces
Ahna Girshick, Victoria Interrante.
Computer Graphics Visual Proceedings (ACM SIGGRAPH 99 technical sketch), pp. 271, 1999. [BibTeX]

Proceedings Realism, expressionism, and abstraction: applying art techniques to visualization
Theresa Marie Rhyne, David H. Laidlaw, Victoria Interrante, Christopher G. Healey, D.J. Duke.
Proceedings of the conference on Visualization '01, pp. 523--526, 2001. [BibTeX]

Proceedings Showing Shape with Texture – Two Directions are Better than One
Sunghee Kim, Haleh Hagh-Shenas, Victoria Interrante.
2002. [BibTeX]

In Collection Theory and Practice of Non-Photorealistic Graphics: Algorithms, Methods, and Production Systems
Brett Achorn, Daniel Teece, M. Sheelagh T. Carpendale, Mario Costa Sousa, David Ebert, Bruce Gooch, Victoria Interrante, Lisa M. Streit, Oleg Veryovka.
Siggraph 2003, ACM Press, 2003. [BibTeX]

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