Painterly Rendering using Image Salience
John P. Collomosse, Peter M. Hall.
20th Eurographics UK Conference, pp. 122-128, Leicester, UK, June 11 - 13, De Montfort University,
2002. [BibTeX]
Painting and Rendering Textures on Unparameterized Models
David (grue) DeBry, Jonathan Gibbs, Devorah DeLeon Petty, Nate Robins.
Siggraph 2002,
2002. [BibTeX]
Pastel-like Rendering Considering the Properties of Pigments and Support Medium
Kyoko Murakami, Reiji Tsuruno.
SIGGRAPH 2002 Sketches,
2002. [BibTeX]
Perception and painting: a search for effective, engaging visualizations
Christopher G. Healey, James T. Enns.
IEEE Computer Graphics and Applications, Vol. 22, No. 2, pp. 10--15, March-April,
2002. [BibTeX]
Perceptual and Artistic Principles for Effective Computer Depiction
Maneesh Agrawala, Frédo Durand, Bruce Gooch, Victoria Interrante, Victor Ostromoukhov, Denis Zorin.
SIGGRAPH 2002, ACM Press, Course #13, San Antonio, Texas,
2002. [BibTeX]
PicToon: A Personalized Image-based Cartoon System
Hong Chen, Lin Liang, Yan Li, Ying-Qing Xu, Heung-Yeung Shum.
Proceedings of the tenth ACM international conference on Multimedia (MULTIMEDIA '02), pp. 171--178, December,
2002. [BibTeX]
Random Marks on Paper: Non-Photorealistic Rendering with Small Primitives
Andrian Secord.
University of British Columbia,
2002. [BibTeX]
Real-Time Halftoning: A Primitive For Non-Photorealistic Shading
Bert Freudenberg, Maic Masuch, Thomas Strothotte.
Eurographics Workshop on Rendering, pp. 1–4,
2002. [BibTeX]
Real-Time Image-Space Outlining for Non-Photorealistic Rendering
Author(s): Jason L. Mitchell, Chris Brennan, Drew Card.
Proceedings: Siggraph 02,
2002.
[BibTeX] 
Abstract:
In Non-Photorealistic Rendering (NPR), outlines at object silhouettes, shadow edges and texture boundaries are important
visual cues which have previously been difficult to generate in real-time. We present an image-space technique which uses pixel
shading hardware to generate these three classes of outlines in real
time. In all three cases, we render alternate representations of the
desired scene into texture maps which are subsequently processed
by pixel shaders to find discontinuities corresponding to outlines in
the scene. The outlines are then composited with the shaded scene.
Rendering Artistic Line Drawings Using Off-the-Shelf 3-D Software
Jörn Loviscach.
Eurographics 2002 Short Paper, pp. 125--130,
2002. [BibTeX]