An interface for the interactive design of artistic screens
N. Rudaz, Roger D. Hersch, Victor Ostromoukhov.
Electronic Publishing, Artistic Imaging and Digital Typography, Springer Verlag, Lecture Notes in Computer Science 1375, pp. 1--10,
1998. [BibTeX]
Artistic Halftoning - Between Technology and Art
Victor Ostromoukhov.
SPIE Vol. 3963, pp. 489--509,
2000. [BibTeX]
Artistic Screening
Victor Ostromoukhov, Roger D. Hersch.
Siggraph 95,
1995. [BibTeX]
Decoupling Strokes and High-Level Attributes for Interactive Traditional Drawing
Frédo Durand, Victor Ostromoukhov, Matthew Miller, Francois Duranleau, Julie Dorsey.
Eurographics Workshop on Rendering 2001,
2001. [BibTeX]
Digital Facial Engraving
Author(s): Victor Ostromoukhov.
Proceedings: SIGGRAPH 99,
1999.
[BibTeX]
Abstract:
This contribution introduces the basic techniques for digital facial
engraving, which imitates traditional copperplate engraving.
Inspired by traditional techniques, we first establish a set of basic
rules thanks to which separate engraving layers are built on the top
of the original photo. Separate layers are merged according to simple
merging rules and according to range shift/scale masks specially
introduced for this purpose. We illustrate the introduced
technique by a set of black/white and color engravings, showing
different features such as engraving-specific image enhancements,
mixing different regular engraving lines with mezzotint, irregular
perturbations of engraving lines etc. We introduce the notion of
engraving style which comprises a set of separate engraving layers
together with a set of associated range shift/scale masks. The
engraving style helps to port the look and feel of one engraving to
another. Once different libraries of pre-defined mappable engraving
styles and an appropriate user interface are added to the basic
system, producing a decent gravure starting from a simple digital
photo will be a matter of seconds. The engraving technique
described in this contribution opens new perspectives for digital
art, adding unprecedented power and precision to the engraver’s
work.
Hatching by Example: a Statistical Approach
Pierre-Marc Jodoin, Emric Epstein, Martin Granger-Piche, Victor Ostromoukhov.
2nd International Symposium on Non-Photorealistic Animation and Rendering (NPAR'02), Annecy, France, June 3-5,
2002. [BibTeX]
Mathematical Tools for Computer-Generated Ornamental Patterns
Victor Ostromoukhov.
Electronic Publishing, Artistic Imaging and Digital Typography, Lecture Notes in Computer Science 1375, Springer Verlag, pp. 193--223,
1998. [BibTeX]
Multi-Color and Artistic Dithering
Victor Ostromoukhov, Roger D. Hersch.
Computer Graphics Proceedings, Annual Conference Series, pp. 425--432,
1999. [BibTeX]
Non-Photorealistic Rendering of Hair for Animated Cartoons
Martin Côté, Pierre-Marc Jodoin, Charles Donohue, Victor Ostromoukhov.
GRAPHICON 04,
2004. [BibTeX]
Perceptual and Artistic Principles for Effective Computer Depiction
Maneesh Agrawala, Frédo Durand, Bruce Gooch, Victoria Interrante, Victor Ostromoukhov, Denis Zorin.
SIGGRAPH 2002, ACM Press, Course #13, San Antonio, Texas,
2002. [BibTeX]