Calligraphic Character Synthesis using Brush Model
Horace H. S. Ip, Helena T. F. Wong.
Computer Graphics International, pp. 13, Hasselt and Diepenbeek, Belgium, June 23 - 27,
1997. [BibTeX]
Computer-Generated Watercolor
Cassidy J. Curtis, Sean E. Anderson, Joshua E. Seims, Kurt W. Fleischer, David H. Salesin.
Proceedings of the 24th annual conference on Computer graphics and interactive techniques (SIGGRAPH'97), pp. 421--430, New York, NY, USA, ACM Press/Addison-Wesley Publishing Co.,
1997. [BibTeX]
daLi! - Drawing Animated Lines!
Maic Masuch, Stefan Schlechtweg, Bert Schönwälder.
Simulation and Animation '97, pp. 87--95, SCS Europe, Magdeburg,
1997. [BibTeX]
Digital Paint Systems: Historical Overview
Alvy Ray Smith.
Tech Memo 14, May 30,
1997. [BibTeX]
Image-Based Pen-and-Ink Illustration
Michael P. Salisbury.
Department of Computer Science and Engineering, University of Washington, Seattle,
1997. [BibTeX]
Lines and How to Draw Them
Stefan Schlechtweg.
Norsk samarbeid innen grafisk databehandling, No. 2/97, pp. 4--6,
1997. [BibTeX]
Multiperspective Panoramas for Cel Animation
Daniel Wood, Adam Finkelstein, Craig E. Thayer, John F. Hughes, David H. Salesin.
SIGGRAPH '97, pp. 243--250, Aug,
1997. [BibTeX]
Orientable Textures for Image-Based Pen-and-Ink Illustration
Michael P. Salisbury, Michael Wong, John F. Hughes, David H. Salesin.
SIGGRAPH '97: Proceedings of the 24th annual conference on Computer graphics and interactive techniques, pp. 401--406, New York, NY, USA, ACM Press/Addison-Wesley Publishing Co.,
1997. [BibTeX]
Painting-like Image Emphasis based on Human Vision Systems
Toshimitsu Tanaka, Noboru Ohnishi.
Computer Graphics Forum, Vol. 16, No. 3, September,
1997. [BibTeX]
Processing images and video for an impressionist effect
Author(s): Peter C. Litwinowicz.
Proceedings: SIGGRAPH '97: Proceedings of the 24th annual conference on Computer graphics and interactive techniques, pp. 407--414, New York, NY, USA, ACM Press/Addison-Wesley Publishing Co.,
1997.
[BibTeX] [DOI] 
Abstract:
This paper describes a technique that transforms ordinary video segments into animations that have a hand-painted look. Our method is the first to exploit temporal coherence in video clips to design an automatic filter with a hand-drawn animation quality, in this case, one that produces an Impressionist effect. Off-the-shelf image processing and rendering techniques are employed, modified and combined in a novel way. This paper proceeds through the process step by step, providing helpful hints for tuning the off-the-shelf parts as well as describing the new techniques and bookkeeping used to glue the parts together.