A Suggestive Interface for 3D Drawing
Takeo Igarashi, John F. Hughes.
14th annual ACM symposium on User interface software and technology (UIST'01), pp. 173--181, Orlando, Florida, November 11-14,
2001. [BibTeX]
A survey of silhouette detection techniques for non-photorealistic rendering
Wang Ao-yu, Tang Min, Dong Jin-xiang.
Third International Conference on Image and Graphics (ICIG'04), pp. 434--437, December,
2004. [BibTeX]
A system for real-time watercolour rendering
Jeremy Burgess, Geoff Wyvill, Scott A. King.
Computer Graphics International 2005 (CGI'05), pp. 234--240, 22-24 June,
2005. [BibTeX]
A System for View-Dependent Animation
Parag Chaudhuri, Prem Kalra, Subhashis Banerjee.
Eurographics 2004,
2004. [BibTeX]
A user interface for simulating calligraphic pens and brushes
Yap Siong Chua, Charles N. Winton.
Proceedings of the 1988 ACM sixteenth annual conference on Computer science, pp. 408--413, Atlanta, Georgia, United States,
1988. [BibTeX]
A Versatile Interactive 3D Brush Model
William Baxter, Ming C. Lin.
12th Pacific Conference on Computer Graphics and Applications (PG'04), October,
2004. [BibTeX]
Abstracted Painterly Renderings Using Eye-Tracking Data
Anthony Santella, Doug DeCarlo.
Proceedings of Second International Symposium on Non Photorealistic Animation and Rendering (NPAR 2002, Annecy, France, June 3--5, 2002), pp. 75--82, New York, NY, USA, June 3-5, ACM Press,
2002. [BibTeX]
Accurate silhouettes – do polyhedral models suffice?
Chris Heunen.
International Conference on Geometric Modeling and Graphics, pp. 69--74, 16-18 July,
2003. [BibTeX]
Action Synopsis: Pose Selection and Illustration
Jackie Assa, Yaron Caspi, Daniel Cohen-Or.
SIGGRAPH '05, Los Angeles, California, USA,
2005. [BibTeX]
Adaptive Brush Stroke Generation for Painterly Rendering
Author(s): Young Sup Park, Kyung Hyun Yoon.
Proceedings: Eurographics 2004 - Short Presentations, pp. 65--68, August,
2004.
[BibTeX] 
Abstract:
We propose adaptive brush stroke generation for source images, using reference data. Colors used are formed by actual palette colors from artists. To create the palette, we have referred mostly to colors used in Van Gogh's works and determined the color of brush strokes by transferring it to the most similar one, through comparing colors used in source images and the palette colors. Also, by referring to the edge orientation of source images, we have applied a brush stroke orientation that surrounds the edges. The sizes were determined depending on the different sizes of the objects from wide to narrow brushes. Finally, we applied spline curve shapes. The brush strokes created in such method, were applied separately according to its segmented images, and composed after rendering.