G-strokes: A concept for simplifying line stylization
Tobias Isenberg, Angela Brennecke.
Computers & Graphics, Vol. 30, No. 5, pp. 754--766, October,
2006. [BibTeX]
Generating Comics from 3D Interactive Computer Graphics
Ariel Shamir, Michael Rubinstein, Tomer Levinboim.
IEEE Computer Graphics and Applications, Vol. 26, No. 3, pp. 53--61, May/June,
2006. [BibTeX]
Highly Stylised Drawn Animation
Fabian Di Fiore, Frank Van Reeth, John Patterson, Philip Willis.
Lecture Notes in Computer Science (LNCS), Vol. 4035, pp. 36--53,
2006. [BibTeX]
Illustrating Design and Spatial Assembly of Interactive CSG
Marc Nienhaus, Florian Kirsch, Jürgen Döllner.
Proceedings of 4th International Conference on Computer Graphics, Virtual Reality, Visualisation and Interaction in Africa (ACM AFRIGRAPH 2006), pp. 91--98, Cape Town, South Africa, January 25 - 27,
2006. [BibTeX]
Image Enhancement by Unsharp Masking the Depth Buffer
Thomas Luft, Carsten Colditz, Oliver Deussen.
ACM Transactions on Graphics (Proc. of SIGGRAPH'06), Vol. 25, No. 3, pp. 1206--1213, July,
2006. [BibTeX]
Image-Based Stained Glass
Stephen Brooks.
IEEE Transactions on Visualization and Computer Graphics, Vol. 12, No. 6, pp. 1547--1558,
2006. [BibTeX]
Interactive 3D Fluid Jet Painting
Sangwon Lee, Sven C. Olsen, Bruce Gooch.
NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 97--104, New York, NY, USA, June, ACM Press,
2006. [BibTeX]
Interactive watercolor rendering with temporal coherence and abstraction
Adrien Bousseau, Matthew Kaplan, Joëlle Thollot, François X. Sillion.
NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 141--149, New York, NY, USA, June, ACM Press,
2006. [BibTeX]
Introducing Artistic Tools in an Interactive Paint System
Author(s): Koen Beets, Tom Van Laerhoven, Frank Van Reeth.
Proceedings: 14th International Conference in Central Europe on Computer Graphics, Visualization and Computer Vision (WSCG'06), pp. 47--54, January,
2006.
[BibTeX] 
Abstract:
While paint systems have been around for a long time, systems capable of capturing the complex behavior of paint media like watercolor, gouache, Oriental ink, oil and acrylic paint have emerged only recently. However, concentrating on the simulation of paint and brush mechanics, these applications mostly provide just a minimal set of instruments assisting users in creating artwork. We report on the extension of our physically-based paint system for watery paint with a set of versatile tools supplying users with more control during the painting process. We introduce, among others, the use of masking ?uid, a special-purpose brush using patterns to steer paint diffusion, and the adoption of an absorbent, textured piece of paper to remove some wet paint from the canvas. Results show that images created with genuine paint, using real-life counterparts of some of these tools, can be closely reproduced with our application. Additionally, our digital tools can produce effects that are dif?cult or impossible to achieve with real paint, while retaining the spontaneous nature of the resulting images.
Looking Through the Eye of the Painter from the Visual Cortex and Brightness Perception to Non-Photorealistic
Roberto Lam, João Rodrigues, J.M.Hans du Buf.
14th International Conference in Central Europe on Computer Graphics, Visualization and Computer Vision (WSCG'06), pp. 147--154,
2006. [BibTeX]