Non-Photorealistic Computer Graphics Library

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Found 11 item(s) authored by "Maic Masuch" .
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Proceedings 3D Illustrative Effects for Animating Line Drawings
Tobias Isenberg, Maic Masuch, Thomas Strothotte.
Proceedings of the IEEE International Conference on Information Visualisation, pp. 413--418, London, England, July 19-21, 2000. [BibTeX]

Proceedings Animating Frame-To-Frame-Coherent Line Drawings for Illustrated Purposes
Maic Masuch, Lars Schumann, Stefan Schlechtweg.
Proceedings of Simulation und Visualisierung '98, SCS Europe, Peter Lorenz, Bernhard Preim, pp. 101-112, 1998. [BibTeX]

Proceedings daLi! - Drawing Animated Lines!
Maic Masuch, Stefan Schlechtweg, Bert Schönwälder.
Simulation and Animation '97, pp. 87--95, SCS Europe, Magdeburg, 1997. [BibTeX]

In Book Game Programming Gems 4
Bert Freudenberg, Maic Masuch, Thomas Strothotte.
Andrew Kirmse, Real-Time Halftoning: Fast and Simple Stylized Shading, pp. 443--440, Charles River Media, 2004. [BibTeX]

Proceedings Non-Photorealistic Shading in an Educational Game Engine
Bert Freudenberg, Maic Masuch.
Production Process of 3D Computer Graphics Applications - Structures, Roles and Tools, Snowbird, Utah, USA, June 1 - 4, 2002. [BibTeX]

Proceedings Real-Time Halftoning: A Primitive For Non-Photorealistic Shading
Bert Freudenberg, Maic Masuch, Thomas Strothotte.
Eurographics Workshop on Rendering, pp. 1–4, 2002. [BibTeX]

Proceedings Speedlines - Depicting Motion in Motionless Pictures
Maic Masuch, Stefan Schlechtweg.
Siggraph 1999, 8-13 August 1999, Los Angeles, 1999. [BibTeX]

Proceedings The Computer-Visualistik-Raum: veritable and inexpensive presentation of a virtual reconstruction

Author(s): Bert Freudenberg, Maic Masuch, Niklas Röber, Thomas Strothotte.
Proceedings: Proceedings of the 2001 conference on Virtual reality, archeology, and cultural heritage (VAST '01), pp. 97--102, 2001.
[BibTeX] [DOI] Find this paper on Google

This paper describes the development of the Computer-Visualistik-Raum (CVR), a Virtual Reality experience presented in the Exhibition "Otto the Great, Magdeburg and Europe" which took place in 2001 in the Museum of Cultural History, Magdeburg. The presentation deals with an archaeological excavation that was carried out at the Domplatz in Magdeburg in the 1960s. In the CVR, which consists of three consecutive rooms with a spherical projection chamber in its center, visitors can explore several variants of interpretations of the excavation findings.The virtual reconstruction shown in the CVR is special in two ways. First, it tries to be truthful to the actual findings by visually stating the degree of certainty of details, where conventional systems only give textual or aural indications of these circumstances. This is achieved by employing non-photorealistic real-time rendering techniques, as well as by presenting alternatives instead of just one reconstruction.Second, the whole system is based on rather inexpensive components (compared to specialized VR systems), that nevertheless allow a great deal of freedom in expression. A game engine provides distributed realtime-rendering capabilities to drive three standard PCs with GeForce3 graphics boards. Their rendering capacity is sufficient to even perform the spherical distortion and soft-edge blending without special hardware, allowing off-the-shelf beamers to be used.

Proceedings Visualising Ancient Architecture using Animated Line Drawings
Maic Masuch, Thomas Strothotte.
Proceedings of the International Conference on Information Visualisation '98, IEEE Computer Society Press, 1998. [BibTeX]

Proceedings Visualizing Knowledge about Virtual Reconstructions of Ancient Architecture
Thomas Strothotte, Maic Masuch, Tobias Isenberg.
Computer Graphics International (CGI'99), pp. 36--43, Canmore, Alberta, Canada, 1999. [BibTeX]

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