A Non-Photorealistic Lighting Model For Automatic Technical Illustration
Amy A. Gooch, Bruce Gooch, Peter Shirley, Elaine Cohen.
SIGGRAPH 98, pp. 447--452, July,
1998. [BibTeX]
A Painterly Approach to Human Skin
Peter-Pike J. Sloan, Bruce Gooch, Bill Martin, Amy A. Gooch, Louise Bell.
Short Research paper,
2001. [BibTeX]
Artisic Vision: Automatic Digital Painting Using Computer Vision Algorithms
Bruce Gooch.
University of Utah, May,
2001. [BibTeX]
Artistic Composition for Image Creation
Bruce Gooch, Erik Reinhard, Chris Moulding, Peter Shirley.
12th Eurographics Workshop on Rendering, pp. 83--88, London, UK, June,
2001. [BibTeX]
Artistic Vision: Painterly Rendering Using Computer Vision Techniques
Bruce Gooch, Greg Coombe, Peter Shirley.
2nd International Symposium on Non-Photorealistic Animation and Rendering (NPAR'02), pp. 83--90, Annecy, France, June 3-5,
2002. [BibTeX]
Enhancing perceived depth in images via artistic matting
Amy A. Gooch, Bruce Gooch.
1st Symposium on Applied perception in graphics and visualization,
2004. [BibTeX]
Human Facial Illustrations: Creation and Evaluation using Behavioral Studies and Functional Magnetic Resonance Imaging
Author(s): Bruce Gooch.
PhD Thesis: University of Utah, July,
2003.
[BibTeX]
Abstract:
This dissertation presents: a method for creating black-and-white illustrations
and caricatures of human faces from source photographs; and series of perceptual
studies aimed at evaluating the effectiveness of the resulting images relative to
photographs. The illustrations are generated by superimposing two images: a
thresholded image of the output of a computational brightness model, and a thresholded
luminance image. In addition, a new interactive technique is demonstrated
for deforming images of faces to create caricatures that highlight and exaggerate
representative facial features. The photographs and black-and-white illustrations
are evaluated via psychophysical studies to assess speed and accuracy in learning
and recognition tasks. These studies show that the facial illustrations and
caricatures generated using these techniques are as eective as photographs in
the recognition tasks. In the learning studies, tasks involving illustrations or
caricatures were performed significantly faster than the same tasks were performed
with photographs. The recognition invariance effect is used as an experimental
probe in a functional magnetic resonance imaging (fMRI) experiment. The results
of this experiment indicate that viewers may process illustrations differently from
photographs.
Human Facial Illustrations: Creation and Psychophysical Evaluation
Bruce Gooch, Erik Reinhard, Amy A. Gooch.
ACM Transactions on Graphics, Vol. 23, No. 1, pp. 27--44, January,
2004. [BibTeX]
Interactive 3D Fluid Jet Painting
Sangwon Lee, Sven C. Olsen, Bruce Gooch.
NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 97--104, New York, NY, USA, June, ACM Press,
2006. [BibTeX]
Interactive Artistic Rendering
Matthew Kaplan, Bruce Gooch, Elaine Cohen.
1st International Symposium on Non-Photorealistic Animation and Rendering (NPAR'00), pp. 67--74, Annecy, France, June 05 - 07,
2000. [BibTeX]