Dynamic Presentations for Illustration Purposes
Roland Jesse.
Otto-von-Guericke-Universität Magdeburg, March,
2004. [BibTeX]
Enhanced Visual Authoring Using Operation History
Sara L. Su.
Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science,
2009. [BibTeX]
Fast Techniques for Non Photorealistic Rendering
G. Di Blasi.
University of Catania, Italy,
2006. [BibTeX]
Frame-Coherent 3D Stippling for Non-Photorealistic Computer Graphics
Oscar E. Meruvia Pastor.
Otto-von-Guericke-Universität Magdeburg, Germany,
2003. [BibTeX]
High-Quality Visualization and Filtering of Textures and Segmented Volume Data on Consumer Graphics Hardware
Markus Hadwiger.
VRVis Research Center and Institute of Computer Graphics and Algorithms, Vienna University of Technology,
2004. [BibTeX]
Higher Level Techniques for the Artistic Rendering of Images and Video
John P. Collomosse.
University of Bath, UK, May,
2004. [BibTeX]
Human Facial Illustrations: Creation and Evaluation using Behavioral Studies and Functional Magnetic Resonance Imaging
Bruce Gooch.
University of Utah, July,
2003. [BibTeX]
Hybrid Sketching: A New Middle Ground Between 2- and 3-D.
John Alex.
Massachusetts Institute of Technology,
2005. [BibTeX]
Illustrating Transparency: communicating the 3D shape of layered transparent surfaces via texture
Victoria Interrante.
University of North Carolina, Chapel Hill,
1996. [BibTeX]
Image-Based Pen-and-Ink Illustration
Author(s): Michael P. Salisbury.
PhD Thesis: Department of Computer Science and Engineering, University of Washington, Seattle,
1997.
[BibTeX] 
Abstract:
This dissertation addresses the problem of creating pen-and-ink style illustrations on a
computer by means of a high-level user interface. We present a system in which the user
creates illustrations starting from greyscale images. The user specifies the texture and orientation of components within an image by interacting with a painting-style interface. The system then transforms the image into a pen-and-ink drawing by precisely placing and orienting the individual pen strokes that compose the illustration. By encoding the principles developed by pen-and-ink artists over decades, the system aims to support the creation of illustrations capable of much of the exibility and power of traditional pen and ink.