Non-Photorealistic Computer Graphics Library

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Found 14 item(s) authored by "Aaron Hertzmann" .
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Article A Survey of Stroke-Based Rendering
Aaron Hertzmann.
IEEE Computer Graphics and Applications, Vol. 23, No. 4, pp. 70--81, July/August, 2003. [BibTeX]

PhD Thesis Algorithms for Rendering in Artistic Styles
Aaron Hertzmann.
New York University, May, 2001. [BibTeX]

Proceedings Curve Analogies
Aaron Hertzmann, Nuria Oliver, Brian Curless, Steven M. Seitz.
Proceedings of the 13th Eurographics workshop on Rendering, 2002. [BibTeX]

Proceedings Fast Paint Texture
Aaron Hertzmann.
Proc. of NPAR 02, 2002. [BibTeX]

Proceedings Illustrating Smooth Surfaces
Aaron Hertzmann, Denis Zorin.
SIGGRAPH 2000 Conference Proceedings, pp. 517--526, New Orleans, Louisiana, July 23-28, 2000. [BibTeX]

Proceedings Image Analogies
Aaron Hertzmann, Charles Jacobs, Nuria Oliver, Brian Curless, David H. Salesin.
SIGGRAPH '01: Proceedings of the 28th annual conference on Computer graphics and interactive techniques, pp. 327--340, New York, NY, USA, ACM, 2001. [BibTeX]

In Collection Introduction to 3D Non-Photorealistic Rendering: Silhouettes and Outlines
Aaron Hertzmann.
SIGGRAPH 99, ACM Press, Course Notes, 1999. [BibTeX]

Proceedings Isophote Distance: A Shading Approach to Artistic Stroke Thickness
Todd Goodwin, Ian Vollick, Aaron Hertzmann.
NPAR '07: Proceedings of the 5th international symposium on Non-photorealistic animation and rendering, pp. 53--62, New York, NY, USA, ACM, 2007. [BibTeX]

In Collection Non-Photorealistic Rendering

Author(s): Stuart Green, David H. Salesin, Simon Schofield, Aaron Hertzmann, Peter C. Litwinowicz, Amy A. Gooch, Cassidy J. Curtis, Bruce Gooch.
In Collection: Siggraph 99, ACM Press, Course 17, 1999.
[BibTeX] Find this paper on Google

Abstract:
In the history of computer graphics, the area of non-photorealistic rendering (NPR) has emerged relatively recently as a subject area in its own right. Its popularity is reflected in the conference programs of the last several SIGGRAPH events, in which a session in each has been set aside to cover the areas of ’Art, Illustration and Expression’. For the research community, NPR represents a gold mine of opportunity, with recent proponents having addressed a wide range of subject matter, including various artistic styles such as pen and ink, watercolor and pencil sketch. One of the refreshing aspects of NPR is that it brings closer together the disciplines of art and science; its value is far less on the technical brilliance of the techniques but on the aesthetics of the results, and the scope to convey shape, structure and artistic expression. It is an area that requires artists and engineers to work together to solve new and challenging problems in computer graphics. The course will appeal to artists and technologists alike. In this course proposal we have brought together a number of leading researchers in the field of NPR with artists and industrialists to provide participants with an excellent grounding in this exciting subject. The panel of eight speakers will provide coverage of the various strands of NPR research and applications, including 2D, 2½D and 3D approaches. The artist's perspective on NPR will be provided, incorporating a critique of different approaches and with reference to the classic techniques of fine art. The application of NPR to areas as diverse as Hollywood movie production and desktop consumer software programs will be covered.

Proceedings Paint By Relaxation
Aaron Hertzmann.
Computer Graphics International (CGI'01), 2001. [BibTeX]

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