A Survey of Stroke-Based Rendering
Aaron Hertzmann.
IEEE Computer Graphics and Applications, Vol. 23, No. 4, pp. 70--81, July/August,
2003. [BibTeX]
Algorithms for Rendering in Artistic Styles
Aaron Hertzmann.
New York University, May,
2001. [BibTeX]
Curve Analogies
Aaron Hertzmann, Nuria Oliver, Brian Curless, Steven M. Seitz.
Proceedings of the 13th Eurographics workshop on Rendering,
2002. [BibTeX]
Fast Paint Texture
Aaron Hertzmann.
Proc. of NPAR 02,
2002. [BibTeX]
Illustrating Smooth Surfaces
Aaron Hertzmann, Denis Zorin.
SIGGRAPH 2000 Conference Proceedings, pp. 517--526, New Orleans, Louisiana, July 23-28,
2000. [BibTeX]
Image Analogies
Aaron Hertzmann, Charles Jacobs, Nuria Oliver, Brian Curless, David H. Salesin.
SIGGRAPH '01: Proceedings of the 28th annual conference on Computer graphics and interactive techniques, pp. 327--340, New York, NY, USA, ACM,
2001. [BibTeX]
Introduction to 3D Non-Photorealistic Rendering: Silhouettes and Outlines
Aaron Hertzmann.
SIGGRAPH 99, ACM Press, Course Notes,
1999. [BibTeX]
Isophote Distance: A Shading Approach to Artistic Stroke Thickness
Todd Goodwin, Ian Vollick, Aaron Hertzmann.
NPAR '07: Proceedings of the 5th international symposium on Non-photorealistic animation and rendering, pp. 53--62, New York, NY, USA, ACM,
2007. [BibTeX]
Non-Photorealistic Rendering
Author(s): Stuart Green, David H. Salesin, Simon Schofield, Aaron Hertzmann, Peter C. Litwinowicz, Amy A. Gooch, Cassidy J. Curtis, Bruce Gooch.
In Collection: Siggraph 99, ACM Press, Course 17,
1999.
[BibTeX]
Abstract:
In the history of computer graphics, the area of non-photorealistic
rendering (NPR) has emerged relatively recently as a subject area in its
own right. Its popularity is reflected in the conference programs of the
last several SIGGRAPH events, in which a session in each has been set
aside to cover the areas of ’Art, Illustration and Expression’. For the
research community, NPR represents a gold mine of opportunity, with
recent proponents having addressed a wide range of subject matter,
including various artistic styles such as pen and ink, watercolor and
pencil sketch.
One of the refreshing aspects of NPR is that it brings closer together the
disciplines of art and science; its value is far less on the technical
brilliance of the techniques but on the aesthetics of the results, and the
scope to convey shape, structure and artistic expression. It is an area
that requires artists and engineers to work together to solve new and
challenging problems in computer graphics. The course will appeal to
artists and technologists alike.
In this course proposal we have brought together a number of leading
researchers in the field of NPR with artists and industrialists to provide
participants with an excellent grounding in this exciting subject. The
panel of eight speakers will provide coverage of the various strands of
NPR research and applications, including 2D, 2½D and 3D approaches.
The artist's perspective on NPR will be provided, incorporating a critique
of different approaches and with reference to the classic techniques of
fine art. The application of NPR to areas as diverse as Hollywood movie
production and desktop consumer software programs will be covered.
Paint By Relaxation
Aaron Hertzmann.
Computer Graphics International (CGI'01),
2001. [BibTeX]