Non-Photorealistic Computer Graphics Library

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Found 6 item(s) authored by "Joëlle Thollot" Find Author on Google.

Proceedings Dynamic Canvas for Non-Photorealistic Walkthroughs
Matthieu Cunzi, Joëlle Thollot, Sylvain Paris, Gilles Debunne, Jean-Dominique Gascuel, Frédo Durand.
Graphics Interface (GI'03), 2003. [BibTeX]

Proceedings Geometric Clustering for Line Drawing Simplification
Pascal Barla, Joëlle Thollot, François X. Sillion.
Siggraph technical sketch: SIGGRAPH'2005, 2005. [BibTeX]

Proceedings Geometric Clustering for Line Drawing Simplification
Pascal Barla, Joëlle Thollot, François X. Sillion.
Proceedings of Eurographics Symposium on Rendering (EGSR'05), pp. 183--192, Konstanz, Germany, June 29 - July 1, 2005. [BibTeX]

Proceedings Interactive watercolor rendering with temporal coherence and abstraction
Adrien Bousseau, Matthew Kaplan, Joëlle Thollot, François X. Sillion.
NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 141--149, New York, NY, USA, June, ACM Press, 2006. [BibTeX]

Article Stroke Pattern Analysis and Synthesis
Pascal Barla, Simon Breslav, Joëlle Thollot, François X. Sillion, Lee Markosian.
Computer Graphics Forum, Vol. 25, No. 3, pp. 663--671, 2006. [BibTeX]

Proceedings X-Toon: An Extended Toon Shader

Author(s): Pascal Barla, Joëlle Thollot, Lee Markosian.
Proceedings: NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 127--132, New York, NY, USA, June, ACM Press, 2006.
[BibTeX] [DOI] Find this paper on Google

Abstract:
Traditional toon shading uses a 1D texture that describes how tone varies with surface orientation relative to a given light source. In this paper we describe two extensions to the basic algorithm that support view-dependent effects. First, we replace the 1D texture with a 2D texture whose second dimension corresponds to the desired ``tone detail'', which can vary with depth or surface orientation. This supports effects such as levels-of-detail, aerial perspective, depth-of-field, backlighting, and specular highlights. Second, to control the amount of surface detail depicted by the shader, we further extend the toon shader to use a modified normal field that can range from the original normals to a simpler set of normals taken from an ``abstracted shape.'' A global shape detail parameter determines the degree of interpolation used between the original and abstracted normal fields. We explain how to implement these ideas efficiently on the GPU via vertex and fragment shaders, and discuss ways to extend our approach to alternative tone and shape detail maps.

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