Non-Photorealistic Computer Graphics Library

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Found 16 item(s) authored by "Peter M. Hall" .
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Proceedings A Mid-level Description of Video, with Application to Non-photorealistic Animation
John P. Collomosse, Peter M. Hall.
15th British Machine Vision Conference (BMVC), Vol. 1, pp. 7--16, Kingston, U.K., September, 2004. [BibTeX]

Proceedings Arty Shapes
Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse.
Computational Aesthetics in Graphics, Visualization, and Imaging, pp. 65--72, June, 2008. [BibTeX]

Proceedings Cartoon-style Rendering of Motion from Video
John P. Collomosse, D. Rowntree, Peter M. Hall.
Intl. Conference of Video, Vision and Graphics (VVG), pp. 117--124, July, 2003. [BibTeX]

Article Cubist Style Rendering from Photographs
John P. Collomosse, Peter M. Hall.
IEEE Transactions on Visualization and Computer Graphics, Vol. 9, No. 4, pp. 443--453, October, 2003. [BibTeX]

Proceedings Genetic Paint: A Search for Salient Paintings
John P. Collomosse, Peter M. Hall.
EvoMUSART (at EuroGP), Springer Lecture Notes in Computer Science, Vol. 3449, pp. 437--447, Lausanne, March, 2005. [BibTeX]

Technical Report Genetic Painting: A Salience Adaptive Relaxation Technique for Painterly Rendering

Author(s): John P. Collomosse, Peter M. Hall.
Technical Report: University of Bath, No. CSBU-2003-02, UK, October, 2004.
[BibTeX] Find this paper on Google

Abstract:
The contribution of this paper is a novel non-photorealistic rendering (NPR) algorithm for rendering real images in an impasto painterly style. We observe that the vast majority of image-based NPR techniques operate on a local pixel neighbourhood basis, typically as non-linear image filters seeking to conserve high-frequency information in the rendering. Our work differs in that we make use of a novel perceptual salience measure, incorporating global analysis of the image. We introduce the concept of drawings as salience maps, and propose a novel painting algorithm which uses a genetic algorithm (GA) to iteratively converge toward an optimal painting in which salient detail is conserved and non-salient detail is attenuated. Differential rendering styles are also possible by varying stroke style according to the classification of salient artifacts encountered, for example edges or ridges. We demonstrate the results of our painterly technique on a wide range of images illustrating the benefits of rendering preferentially with regard to salience, and the improvements gained by subsequent relaxation of the painting using our GA technique.

Proceedings Motion Analysis in Video: Dolls, Dynamic Cues and Modern Art
John P. Collomosse, Peter M. Hall.
2nd International Conference on Vision, Video and Graphics (VVG '05), pp. 109--116, July, 2005. [BibTeX]

Article Nonphotorealistic Rendering by Q-mapping
Peter M. Hall.
Computer Graphics Forum, Vol. 18, No. 1, March, 1999. [BibTeX]

Proceedings Painterly Rendering using Image Salience
John P. Collomosse, Peter M. Hall.
20th Eurographics UK Conference, pp. 122-128, Leicester, UK, June 11 - 13, De Montfort University, 2002. [BibTeX]

Article Rendering cartoon-style motion cues in post-production video
John P. Collomosse, D. Rowntree, Peter M. Hall.
Graphical Models, Vol. 67, No. 6, pp. 549--564, November, 2005. [BibTeX]

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