.
A Mid-level Description of Video, with Application to Non-photorealistic Animation
John P. Collomosse, Peter M. Hall.
15th British Machine Vision Conference (BMVC), Vol. 1, pp. 7--16, Kingston, U.K., September,
2004. [BibTeX]
Arty Shapes
Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse.
Computational Aesthetics in Graphics, Visualization, and Imaging, pp. 65--72, June,
2008. [BibTeX]
Cartoon-style Rendering of Motion from Video
John P. Collomosse, D. Rowntree, Peter M. Hall.
Intl. Conference of Video, Vision and Graphics (VVG), pp. 117--124, July,
2003. [BibTeX]
Cubist Style Rendering from Photographs
John P. Collomosse, Peter M. Hall.
IEEE Transactions on Visualization and Computer Graphics, Vol. 9, No. 4, pp. 443--453, October,
2003. [BibTeX]
Empathic Painting: Interactive stylization through observed emotional state
Maria Shugrina, Margrit Betke, John P. Collomosse.
NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 87--96, New York, NY, USA, June, ACM Press,
2006. [BibTeX]
Genetic Paint: A Search for Salient Paintings
John P. Collomosse, Peter M. Hall.
EvoMUSART (at EuroGP), Springer Lecture Notes in Computer Science, Vol. 3449, pp. 437--447, Lausanne, March,
2005. [BibTeX]
Genetic Painting: A Salience Adaptive Relaxation Technique for Painterly Rendering
John P. Collomosse, Peter M. Hall.
University of Bath, No. CSBU-2003-02, UK, October,
2004. [BibTeX]
Higher Level Techniques for the Artistic Rendering of Images and Video
John P. Collomosse.
University of Bath, UK, May,
2004. [BibTeX]
Motion Analysis in Video: Dolls, Dynamic Cues and Modern Art
Author(s): John P. Collomosse, Peter M. Hall.
Proceedings: 2nd International Conference on Vision, Video and Graphics (VVG '05), pp. 109--116, July,
2005.
[BibTeX] 
Abstract:
This paper addresses the problem of synthesising animations from video clips; in particular emphasising the motion of tracked objects. We introduce "dynamic cues" as a class of motion emphasis cue, encompassing traditional animation techniques such as anticipation and exaggeration. We present methods for automatically synthesising such cues within video premised upon the recovery of articulated figures, and the subsequent manipulation of the recovered pose trajectories. Additionally, we apply our motion emphasis framework to emulate artwork in the Futurist style, popularised by Duchamp.
Painterly Rendering using Image Salience
John P. Collomosse, Peter M. Hall.
20th Eurographics UK Conference, pp. 122-128, Leicester, UK, June 11 - 13, De Montfort University,
2002. [BibTeX]