.
A Mid-level Description of Video, with Application to Non-photorealistic Animation
John P. Collomosse, Peter M. Hall.
15th British Machine Vision Conference (BMVC), Vol. 1, pp. 7--16, Kingston, U.K., September,
2004. [BibTeX]
Arty Shapes
Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse.
Computational Aesthetics in Graphics, Visualization, and Imaging, pp. 65--72, June,
2008. [BibTeX]
Cartoon-style Rendering of Motion from Video
John P. Collomosse, D. Rowntree, Peter M. Hall.
Intl. Conference of Video, Vision and Graphics (VVG), pp. 117--124, July,
2003. [BibTeX]
Cubist Style Rendering from Photographs
John P. Collomosse, Peter M. Hall.
IEEE Transactions on Visualization and Computer Graphics, Vol. 9, No. 4, pp. 443--453, October,
2003. [BibTeX]
Empathic Painting: Interactive stylization through observed emotional state
Maria Shugrina, Margrit Betke, John P. Collomosse.
NPAR '06: Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, pp. 87--96, New York, NY, USA, June, ACM Press,
2006. [BibTeX]
Genetic Paint: A Search for Salient Paintings
John P. Collomosse, Peter M. Hall.
EvoMUSART (at EuroGP), Springer Lecture Notes in Computer Science, Vol. 3449, pp. 437--447, Lausanne, March,
2005. [BibTeX]
Genetic Painting: A Salience Adaptive Relaxation Technique for Painterly Rendering
John P. Collomosse, Peter M. Hall.
University of Bath, No. CSBU-2003-02, UK, October,
2004. [BibTeX]
Higher Level Techniques for the Artistic Rendering of Images and Video
John P. Collomosse.
University of Bath, UK, May,
2004. [BibTeX]
Motion Analysis in Video: Dolls, Dynamic Cues and Modern Art
John P. Collomosse, Peter M. Hall.
2nd International Conference on Vision, Video and Graphics (VVG '05), pp. 109--116, July,
2005. [BibTeX]
Painterly Rendering using Image Salience
Author(s): John P. Collomosse, Peter M. Hall.
Proceedings: 20th Eurographics UK Conference, pp. 122-128, Leicester, UK, June 11 - 13, De Montfort University,
2002.
[BibTeX] 
Abstract:
The contribution of this paper is a novel nonphotorealistic rendering (NPR) technique, capable of producing an artificial ‘hand-painted ’effect on 2Dimage, such as photographs. Our method require no user interaction, and make use of image salience and gradient information to determine the implicit ordering and attributes of individual brush strokes. The benefit of our technique are complete automation, and mitigation against the loss of image detail during painting. Strokes from lower salience regions of the image do not encroach upon higher salience regions; this can occur with some existing painting methods. We describe our algorithm in detail, and illustrate its application with a gallery of images.