Calligraphic Character Synthesis using Brush Model
Horace H. S. Ip, Helena T. F. Wong.
Computer Graphics International, pp. 13, Hasselt and Diepenbeek, Belgium, June 23 - 27,
1997. [BibTeX]
Computer-Generated Watercolor
Cassidy J. Curtis, Sean E. Anderson, Joshua E. Seims, Kurt W. Fleischer, David H. Salesin.
Proceedings of the 24th annual conference on Computer graphics and interactive techniques (SIGGRAPH'97), pp. 421--430, New York, NY, USA, ACM Press/Addison-Wesley Publishing Co.,
1997. [BibTeX]
daLi! - Drawing Animated Lines!
Maic Masuch, Stefan Schlechtweg, Bert Schönwälder.
Simulation and Animation '97, pp. 87--95, SCS Europe, Magdeburg,
1997. [BibTeX]
Digital Paint Systems: Historical Overview
Alvy Ray Smith.
Tech Memo 14, May 30,
1997. [BibTeX]
Image-Based Pen-and-Ink Illustration
Michael P. Salisbury.
Department of Computer Science and Engineering, University of Washington, Seattle,
1997. [BibTeX]
Lines and How to Draw Them
Stefan Schlechtweg.
Norsk samarbeid innen grafisk databehandling, No. 2/97, pp. 4--6,
1997. [BibTeX]
Multiperspective Panoramas for Cel Animation
Daniel Wood, Adam Finkelstein, Craig E. Thayer, John F. Hughes, David H. Salesin.
SIGGRAPH '97, pp. 243--250, Aug,
1997. [BibTeX]
Orientable Textures for Image-Based Pen-and-Ink Illustration
Author(s): Michael P. Salisbury, Michael Wong, John F. Hughes, David H. Salesin.
Proceedings: SIGGRAPH '97: Proceedings of the 24th annual conference on Computer graphics and interactive techniques, pp. 401--406, New York, NY, USA, ACM Press/Addison-Wesley Publishing Co.,
1997.
[BibTeX] [DOI] 
Abstract:
We present an interactive system for creating pen-and-ink-style line drawings from greyscale images in which the strokes of the rendered illustration follow the features of the original image. The user, via new interaction techniques for editing a direction field, specifies
an orientation for each region of the image; the computer draws oriented strokes, based on a user-specified set of example strokes, that achieve the same tone as the image via a new algorithm that compares an adaptively-blurred version of the current illustration to the
target tone image. By aligning the direction field with surface orientations of the objects in the image, the user can create textures that appear attached to those objects instead of merely conveying their darkness. The result is a more compelling pen-and-ink illustration
than was previously possible from 2D reference imagery.
Painting-like Image Emphasis based on Human Vision Systems
Toshimitsu Tanaka, Noboru Ohnishi.
Computer Graphics Forum, Vol. 16, No. 3, September,
1997. [BibTeX]
Processing images and video for an impressionist effect
Peter C. Litwinowicz.
SIGGRAPH '97: Proceedings of the 24th annual conference on Computer graphics and interactive techniques, pp. 407--414, New York, NY, USA, ACM Press/Addison-Wesley Publishing Co.,
1997. [BibTeX]