Non-Photorealistic Computer Graphics Library

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Found 26 item(s) of type "Master Thesis".
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Master Thesis A Framework for Non-Realistic Projections
Jonathan Levene.
Massachusetts Institute of Technology, May, 1998. [BibTeX]

Master Thesis A shader based approach to painterly rendering
Kaushik Pal.
Texas A&M University, 2004. [BibTeX]

Master Thesis Apparent ridges for line drawing
Tilke Judd.
Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2007. [BibTeX]

Master Thesis Applying Color Science to Computer Graphics
Kenneth Paul Fishkin.
Berkeley Computer Graphics Laboratory, University of California, 1982. [BibTeX]

Master Thesis Artisic Vision: Automatic Digital Painting Using Computer Vision Algorithms
Bruce Gooch.
University of Utah, May, 2001. [BibTeX]

Master Thesis Artistic Rendering with Graphics Shaders
Lukas Lang.
Eastern Michigan University, Department of Computer Science, April, 2010. [BibTeX]

Master Thesis Automatic Rendering of 3D Animal Models in Chinese Painting Style

Author(s): Jun-Wei Yeh.
Master Thesis: National Taiwan University, 2002.
[BibTeX] Find this paper on Google

Abstract:
A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by the real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing direction of a user. After retrieving silhouette information from all model edges, a stroke linking mechanism is applied to link these independent edges into a long stroke. Finally we grow a plain thin silhouette line to a stylus stroke with various widths at each control point and a 2D brush model is combined with it to simulate a Chinese painting stroke. In the interior shading pipeline, three stages are used to convert a Gouraud-shaded image to a Chinese painting style image: color quantization, ink diffusion and box filtering. The color quantization stage quantizes all pixels in an image into four color levels and each level represents a color layer in a Chinese painting. The ink diffusion stage is used to transfer ink and water among different levels and to grow areas in an irregular way. The box filtering stage blurs sharp borders among different levels to embellish the appearance of final interior shading image. In addition to automatic rendering, an interactive Chinese painting system which is equipped with friendly input devices can be also combined to generate more artistic Chinese painting images manually.

Master Thesis Computational expressionism : a study of drawing with computation
Joanna Maria Berzowska.
Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, February, 1999. [BibTeX]

Master Thesis Expressive Painterly Rendering Through Image Processing
Jason Douglas Waltman.
School of Computing, University of Utah, May, 2004. [BibTeX]

Master Thesis Image Segmentation for Stylized Non-Photorealistic Rendering and Animation
Alexander Kolliopoulos.
University of Toronto, April, 2005. [BibTeX]

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