Speech-Driven Cartoon Animation with Emotions
Yan Li, Feng Yu, Ying-Qing Xu, Eric Chang, Heung-Yeung Shum.
ACM Multimedia, pp. 365--371, Ottawa, Canada, Sep-Oct,
2001. [BibTeX]
Subdivision for Line Drawings
Bert Freudenberg.
2001. [BibTeX]
Surface Drawing: Creating Organic 3D Shapes with the Hand and Tangible Tools
Steven Schkolne, Michael Pruett, Peter Schröder.
CHI 01,
2001. [BibTeX]
Technical Illustration Based on Human-Like Approach
Weidong Geng, Monika Fleischmann, Hongfeng Yu, Yunhe Pan.
Computer Graphics International (CGI'01), pp. 0343, Hong Kong, China, July 03 - 06,
2001. [BibTeX]
The Computer-Visualistik-Raum: veritable and inexpensive presentation of a virtual reconstruction
Bert Freudenberg, Maic Masuch, Niklas Röber, Thomas Strothotte.
Proceedings of the 2001 conference on Virtual reality, archeology, and cultural heritage (VAST '01), pp. 97--102,
2001. [BibTeX]
The Lit Sphere: A Model for Capturing NPR Shading from Art
Peter-Pike J. Sloan, William Martin, Amy A. Gooch, Bruce Gooch.
Graphics Interface (GI'01), June,
2001. [BibTeX]
The Synthesis of Trees in Chinese Landscape Painting
Yu-Ru Lin.
Institute of Computer and Information Science, National Chiao-Tung University,
2001. [BibTeX]
Tour Into the Picture using a Vanishing Line and its Extension to Panoramic Images
Hyung Woo Kang, Soon Hyoung Pyo, Ken Anjyo, Sung Yong Shin.
EUROGRAPHICS 2001,
2001. [BibTeX]
Turning Images into Simple Line-Art
Samuel G. Noble.
Undergraduate Thesis, Reed College, December,
2001. [BibTeX]
User-Guided Composition Effects for Art-Based Rendering
Author(s): Michael A. Kowalski, John F. Hughes, Cynthia Beth Rubin, Jun Ohya.
Proceedings: 2001 ACM Symposium on Interactive 3D Graphics,
2001.
[BibTeX] 
Abstract:
We apply simple techniques from traditional artistic composition to
the art-based rendering of interactive 3D scenes. A human scenemodeler
makes choices about composition in a scene and our system
dynamically adjusts the rendering attributes of objects in the
scene to achieve the desired effects for a given view. We can selectively
group scene elements through shared tone, color, and outline,
so as to simplify and structure an image. This can be used, together
with controlled level of detail, to emphasize important objects. Finally,
we show a technique for adaptively changing color or other
attributes to control the contrast of adjacent elements in the picture.
We also briefly discuss ideas about larger-scale compositional
issues.