Speech-Driven Cartoon Animation with Emotions
Yan Li, Feng Yu, Ying-Qing Xu, Eric Chang, Heung-Yeung Shum.
ACM Multimedia, pp. 365--371, Ottawa, Canada, Sep-Oct,
2001. [BibTeX]
Subdivision for Line Drawings
Bert Freudenberg.
2001. [BibTeX]
Surface Drawing: Creating Organic 3D Shapes with the Hand and Tangible Tools
Steven Schkolne, Michael Pruett, Peter Schröder.
CHI 01,
2001. [BibTeX]
Technical Illustration Based on Human-Like Approach
Weidong Geng, Monika Fleischmann, Hongfeng Yu, Yunhe Pan.
Computer Graphics International (CGI'01), pp. 0343, Hong Kong, China, July 03 - 06,
2001. [BibTeX]
The Computer-Visualistik-Raum: veritable and inexpensive presentation of a virtual reconstruction
Bert Freudenberg, Maic Masuch, Niklas Röber, Thomas Strothotte.
Proceedings of the 2001 conference on Virtual reality, archeology, and cultural heritage (VAST '01), pp. 97--102,
2001. [BibTeX]
The Lit Sphere: A Model for Capturing NPR Shading from Art
Author(s): Peter-Pike J. Sloan, William Martin, Amy A. Gooch, Bruce Gooch.
Proceedings: Graphics Interface (GI'01), June,
2001.
[BibTeX]
Abstract:
While traditional graphics techniques provide for the realistic
display of three-dimensional objects, these methods
often lack the flexibility to emulate expressive effects
found in the works of artists such as Michelangelo and
Cezanne. We introduce a technique for capturing custom
artistic shading models from sampled art work. Our
goal is to allow users to easily generate shading models
which give the impression of light, depth, and material
properties as accomplished by artists. Our system
provides real-time feedback to immediately illustrate
aesthetic choices in shading model design, and to assist
the user in the exploration of novel viewpoints. We describe
rendering algorithms which are easily incorporated
into existing shaders, making non-photorealistic rendering
of materials such as skin, metal, or even painted objects
fast and simple. The flexibility of these methods
for generating shading models enables users to portray
a large range of materials as well as to capture the look
and feel of a work of art. (Color images can be found at
http://www.cs.utah.edu/npr/papers/LitSphere HTML.)
The Synthesis of Trees in Chinese Landscape Painting
Yu-Ru Lin.
Institute of Computer and Information Science, National Chiao-Tung University,
2001. [BibTeX]
Tour Into the Picture using a Vanishing Line and its Extension to Panoramic Images
Hyung Woo Kang, Soon Hyoung Pyo, Ken Anjyo, Sung Yong Shin.
EUROGRAPHICS 2001,
2001. [BibTeX]
Turning Images into Simple Line-Art
Samuel G. Noble.
Undergraduate Thesis, Reed College, December,
2001. [BibTeX]
User-Guided Composition Effects for Art-Based Rendering
Michael A. Kowalski, John F. Hughes, Cynthia Beth Rubin, Jun Ohya.
2001 ACM Symposium on Interactive 3D Graphics,
2001. [BibTeX]