Non-Photorealistic Computer Graphics Library

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Found 31 item(s) authored in "2007".
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Proceedings Isophote Distance: A Shading Approach to Artistic Stroke Thickness
Todd Goodwin, Ian Vollick, Aaron Hertzmann.
NPAR '07: Proceedings of the 5th international symposium on Non-photorealistic animation and rendering, pp. 53--62, New York, NY, USA, ACM, 2007. [BibTeX]

Article Locally Controllable Stylized Shading
Hideki Todo, Ken-ichi Anjyo, William Baxter, Takeo Igarashi.
ACM Transactions on Graphics, Vol. 26, No. 3, pp. 17:1--17:7, 2007. [BibTeX]

PhD Thesis Making Digital Painting Organic
Nelson Siu-Hang Chu.
Hong Kong University of Science and Technology, August, 2007. [BibTeX]

Article Mixed Media Painting and Portraiture
Stephen Brooks.
IEEE Transactions on Visualization and Computer Graphics, Vol. 13, No. 5, pp. 1041--1054, 2007. [BibTeX]

Proceedings Non-Photorealistic Rendering in Customizable Styles for Mobile Collaboration
Rong-Qin Chen, Min Tang, Jin-Xiang Dong.
11th International Conference on Computer Supported Cooperative Work in Design (CSCWD 2007), pp. 139--144, 2007. [BibTeX]

Proceedings Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach

Author(s): Steve DiPaola.
Proceedings: In Proc SPIE: Human Vision and Imaging, Int. Society for Optical Engineering, Bernice E. Rogowitz and Thrasyvoulos N. Pappas and Scott J. Daly, Vol. 6492, SPIE, 2007.
[BibTeX] [DOI] Find this paper on Google

Abstract:
Portrait artists using oils, acrylics or pastels use a specific but open human vision methodology to create a painterly portrait of a live sitter. When they must use a photograph as source, artists augment their process, since photographs have: different focusing - everything is in focus or focused in vertical planes; value clumping - the camera darkens the shadows and lightens the bright areas; as well as color and perspective distortion. In general, artistic methodology attempts the following: from the photograph, the painting must simplify, compose and leave out what’s irrelevant, emphasizing what’s important. While seemingly a qualitative goal, artists use known techniques such as relying on source tone over color to indirect into a semantic color temperature model, use brush and tonal "sharpness" to create a center of interest, lost and found edges to move the viewers gaze through the image towards the center of interest as well as other techniques to filter and emphasize. Our work attempts to create a knowledge domain of the portrait painter process and incorporate this knowledge into a multispace parameterized system that can create an array of NPR painterly rendering output by analyzing the photographic-based input which informs the semantic knowledge rules.

Article Realization of Seurat's pointillism via non-photorealistic rendering
Chuan-Kai Yang, Hui-Lin Yang.
The Visual Computer, Vol. 24, No. 5, pp. 303--322, 2007. [BibTeX]

Article Ribbons: A representation for point clouds
Adam Runions, Faramarz Samavati, Przemyslaw Prusinkiewicz.
The Visual Computer, Vol. 23, No. 9--11, pp. 945--954, September, 2007. [BibTeX]

Article RTcams: A New Perspective on Nonphotorealistic Rendering from Photographs
Peter M. Hall, John P. Collomosse, Yi-Zhe Song, Peiyi Shen, Chuan Li.
IEEE Transactions on Visualization and Computer Graphics, Vol. 13, No. 5, pp. 966--979, Sept.-Oct., 2007. [BibTeX]

Article Stylized Rendering for Anatomic Visualization
Tong-Yee Lee, Chung-Ren Yan, Ming-Te Chi.
Computing in Science and Engineering, Vol. 9, No. 1, pp. 13--19, January/February, 2007. [BibTeX]

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