Non-Photorealistic Computer Graphics Library

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Found 41 item(s) authored in "2000".
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Proceedings 3D Illustrative Effects for Animating Line Drawings
Tobias Isenberg, Maic Masuch, Thomas Strothotte.
Proceedings of the IEEE International Conference on Information Visualisation, pp. 413--418, London, England, July 19-21, 2000. [BibTeX]

PhD Thesis A New Lighting Model for Computer-Generated Line Drawings
Jörg Hamel.
Otto-von-Guericke University Magdeburg, Germany, 2000. [BibTeX]

Proceedings Adaptive Parameter Control For Image Moment-Based Painterly Rendering
Michio Shiraishi, Yasushi Yamaguchi.
9th International Conference on Geometry and Graphics, pp. 389--393, Johannesburg, 2000. [BibTeX]

Proceedings An Algorithm For Automatic Painterly Rendering Based On Local Source Image Approximation
Michio Shiraishi, Yasushi Yamaguchi.
1st International Symposium on Non-Photorealistic Animation and Rendering (NPAR'00), pp. 53--58, Annecy, France, June 05 - 07, 2000. [BibTeX]

Proceedings Animated CharToon Faces
Zsófia Ruttkay, Han Noot.
1st International Symposium on Non-Photorealistic Animation and Rendering (NPAR'00), pp. 91--100, Annecy, France, June 05 - 07, 2000. [BibTeX]

Proceedings Animating with expressive 3D brush strokes
Daniel Teece.
1st International Symposium on Non-Photorealistic Animation and Rendering (NPAR'00), pp. 113, 2000. [BibTeX]

PhD Thesis Art-based Modeling and Rendering for Computer Graphics
Lee Markosian.
Department of Computer Science, Brown University, 2000. [BibTeX]

Proceedings Art-based Rendering with Continuous Levels of Detail

Author(s): Lee Markosian, Barbara J. Meier, Michael A. Kowalski, Loring S. Holden, J.D. Northrup, John F. Hughes.
Proceedings: 1st International Symposium on Non-Photorealistic Animation and Rendering (NPAR'00), pp. 59--66, Annecy, France, June 05 - 07, 2000.
[BibTeX] Find this paper on Google

Abstract:
In previous work [6], we presented an algorithm for rendering virtual scenes using art-based styles. We demonstrated the ability to render fur, grass, and trees in a stylized manner that evoked the complexity of these textures without representing all their components explicitly. We achieved this with stroke-based procedural textures that generated detail elements, or graftals, just as needed. Our implementation had several drawbacks. First, each new graftal texture required a procedural implementation that included writing code. Also, graftals were regenerated in each frame in a way that led to excessive introduction and elimination of graftals even for small changes in camera parameters. Lastly, our system provided no way to continuously vary the properties of graftals, including color, size, or stroke width. Such an ability could be used to achieve better frame-to-frame coherence, or more generally to animate graftals. In this paper, we present a new framework for graftal textures that addresses these issues. Our new framework allows all major decisions about graftal look and behavior to be specified in a text file that can be edited by a designer. We have achieved greater frameto- frame coherence by using graftals that remain in fixed positions on the model surface. The look and behavior of graftals as they appear or disappear can now be animated to create smooth transitions. Finally, we introduce the concept of tufts which manage the multiresolution behavior of graftals according to the specifications of the scene designer.

Proceedings Artistic Halftoning - Between Technology and Art
Victor Ostromoukhov.
SPIE Vol. 3963, pp. 489--509, 2000. [BibTeX]

Proceedings Artistic Multiprojection Rendering
Maneesh Agrawala, Denis Zorin, Tamara Munzner.
11th Eurographics Workshop on Rendering, pp. 125--136, Brno, Czech Republic, 26-28 June, 2000. [BibTeX]

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